Southern Challenge: Leap of faith

Today I am filled with gratitude and a healthy dose of awe for the faith that the Walton’s placed in me with their new southern home. It’s one thing to preach about it, and another to put it into practice. I always knew they were special people, but I don’t think I fully appreciated the divergent nature of the design suggestions I was making, from that which they were accustomed, until I had changed everything that is.

Above: Family room before and after. All the surface mounted electrical was removed, the existing built-ins were modified to accommodate the wall mounted tv – which can be hidden away with the addition of the new doors. A additional corner bookshelf cabinet was constructed to the right of the door. All woodwork was painted in Benjamin Moore’s Nickle, walls in Benjamin Moore’s Mineral ice. Quite a transformation.

Above Left: Benjamin Moore’s Mineral Ice. Right: Benjamin Moore’s Nickle.

Dark, rich, brooding color palettes were packed up in boxes and left in New England to be replaced with bright, fresh, clean happy hues with a hint of grapefruit. Just kidding. I love the crazy adjectives that they use to describe wine, and I got a bit carried away.

Above: Office before.

The house was in need of a manicure and a haircut. It was so laden with window dressings and accoutrements (that’s french for a lot of trappings or extras – the fringe had its own accessories), that I was surprised that it could breathe under the weight of it all. It was entirely the wrong feeling for a family that breathes life into its visitors, allows them to see life through a new lens and find their purpose. Speaking from my own personal experience, I can assure you finding your purpose is hard enough without hiding it under all those trimmings and trappings. I love a window treatment as much as the next gal (if I am being honest, probably a little more than the next), but balance and harmony must prevail, and even I believe that being parsimonious nets a more pure result.

Above: Office after – dark wood painted in Benjamin Moore’s White Winged Dove in high gloss. Walls in same – egg shell finish.

I think I would have been really nervous if I had been clued into the doubt that was floating around down there in North Carolina. Ho boy, as Jo-Jo likes to say, I might have been up a night or two over it. You see, I am not really accustomed to working with others to realize their vision. As a flipper, I am in the business of realizing my own. It’s true, sometimes I let myself down when I make mistakes, but I have learned, well, to learn from them, and move on. It’s a weighty responsibility to please others, which brings me back to faith and gratitude.

Jonathan said: “We would never have imagined painting these colors.” “I was skeptical about the color. But SO love it!!! I’m so glad that I did not go brown and browner.” Me too Jonathan, me too. Thank you for the gift you gave to me in your trust.

Yall . This is Southern Design

Reynaldo . The original Estate of R J Reynolds, designed by Charles Barton Keen, 1918.

When my Clients told me they were leaving Cambridge for warmer climes I admit my long drawn out nooooooo was a little dramatic, but life is fluid and ever evolving. The exciting news is that I am going to have the chance to evolve too. My very first opportunity to influence the design of a southern home, followed the initial piece of traumatic news, softening the blow, as only Jonathan could.

Note the scale, the diamond patterned tile floor, and the acid green.

A new emotion took over – known to many as panic, I asked myself, what exactly did I know about southern design? Naturally quick to met out a harsh judgement, I told myself, “absolutely nothing”. I love talking to myself, and frankly don’t care who hears. Some of my very best conversations, are held between, me, myself, and I, and in the end, helpful recommendations to some of my biggest quandaries result.

Kelly Wearstler’s Avalon Hotel

I actually do know something about Southern design, I had just forgotten that these influencers, for whom I have great respect, all hale from, or are known for their southern design aesthetic. Kelly Wearstler, born in Myrtle Beach, SC, has a self proclaimed style, known as Modern Glamour. Derived from the Hollywood Regency era of design, it is bold and graphic, bright and accented by enormous ceramic figurines – usually of animals. Dorothy Draper – born in Tuxedo Park, NY, known most famously for the Greenbrier in West Virginia, and for being the first socialite interior designer, has been on my radar for a very long time . Suzanne Kassler, born in Waco, Texas to an Air Force Dad, lived in many places, gathering inspiration near and far, until finally landing in Atlanta, GA.

Dorothy Draper’s Greenbrier – iconic design.

So what makes southern design, well….southern? The properties are certainly much, much bigger than the urban locations that I typically design. They are grand, they are estates, they come from an era when income tax didn’t exist and amassing of wealth was easier. Aside from their size, southern design appears to incorporate the following elements:

  • Florals: from the gardens to the interiors, they are heavily represented,
  • Painted floors: intricate or simple patterns – the diamond being a favorite,
  • Heavy use of fabric: from slip-covered furnishings to curtain-laden windows, reams of fabric abound,
  • Collectables: southerns love to tell a story through “things”,
  • Family photos,
  • Mix of antiques and modern furnishings,
  • Monogramed everything,and
  • Bold colors.

Kasler brings a fresh approach to Southern Design – she doesn’t paper the walls, but brings the outdoors in and loves her curtains!

I got this. My journey begins in just a few weeks. I’ve got a lot of research to do to pull this off, but I won’t let my lovely Clients down!